We bring different perspectives to the table, but we’re united by a love for purposeful work, thoughtful design, and real connection.
Sophie Warren
RWA
is a Lisbon/London-based conceptual artist with a practice that intersects with performance, architecture, writing and trans-disciplinarity. She collaborates with Jonathan Mosley under the name Warren and Mosley making installations, choreographic objects, still and moving images, publications, narratives and events, often involving the viewer as participant, player or witness. International commissions include: ‘Days of Action’ event series for Tate Modern; ‘A Nodding Acquaintance’ for The Edge, University of Bath; Institute Français artist laureates for residency at the French Communist Party Headquarters, Paris; event and exhibition series ‘Rogue Game’ (with Can Altay) at Firstsite, Colchester, Spike Island, Bristol, Casco, Utrecht, Showroom, London; event series ‘Utopian talk-show line-up’ at SantralIstanbul, Istanbul, Moderna Museet, Malmo, Eastside Projects, Birmingham. Her work has been widely reviewed and forms the content of book ‘Beyond Utopia’ Berlin: Errant Bodies Press with essays by Elizabeth Price, Maria Fusco, Robin Wilson, Jane Rendell, Lee Stickells, Marie-Anne McQuay and Paul O’Neill.
JONanthan Mosley
RWA
is a conceptual artist/architect and Associate Professor of Architecture and Experimental Practice at University of the West of England leading design research. He is co-founder of international research initiative Radical Architecture Practice for Sustainability and contributes to Document and Location and ARENA European architectural research network. Jonathan specializes in the interface between architecture, art and psycho-social studies, examining cultures of occupation and psychology of architectural space. His collaborative studio Warren and Mosley with artist Sophie Warren develops research-based events, publications, exhibitions and installations that create new thinking around entanglement, spatial negotiation, participation and play between human and non-human entities. They have been commissioned by museums, galleries and research organisations internationally. The practice has won awards from Institut Francais (artist laureates), Arts Council, British Council, Rootstein Hopkins Foundation and Arts and Humanities Research Council, and been discussed within numerous books, journals and events including the New European Bauhaus and Korean Pavilion of the Venice Biennial.